PORT-AU-PRINCE, Haiti – Jean-Claude "Baby Doc" Duvalier, a once feared and reviled dictator who was ousted in a popular uprising nearly 25 years ago, has made a stunning return to Haiti, raising concerns he could complicate efforts to solve a political crisis and the stalled reconstruction from last year's devastating earthquake. Duvalier's arrival at the airport Sunday was as mysterious as it was unexpected. He greeted a crowd of several hundred cheering supporters but did not say why he chose this tumultuous period to suddenly reappear from his exile in France — or what he intended to do while back in Haiti. "I'm not here for politics," Duvalier told Radio Caraibes. "I'm here for the reconstruction of Haiti."

Lewis Lucke: US official in charge of relief efforts after earthquake went on to consult privately for US contractor.SAN JUAN, Puerto Rico — The U.S. official who was in charge of relief efforts following Haiti's devastating Jan. 12 earthquake has accused a major contractor of shortchanging him for his assistance in securing more than $20 million in reconstruction deals after he left his post. Lewis Lucke, the former U.S. special coordinator for relief and reconstruction, says the Haiti Recovery Group Ltd., did not pay him enough for consulting services that included hooking the contractor up with powerful people and helping to navigate government bureaucracy. He's owed nearly $500,000, according to a lawsuit he filed last month in his home state of Texas, a copy of which was obtained by The Associated Press. Related story: Would-be Haitian contractors miss out on aid awards Lucke's lawsuit names the Haiti Recovery Group's two partners: Ashbritt, Inc., a contractor based in Pompano Beach, Florida, that specializes in the removal of debris left by natural disasters; and the GB Group, a conglomerate run by one of Haiti's wealthiest men, Gilbert Bigio.

Since the January 12th earthquake, Haiti has seen a surge in volunteers from around the world. Their presence could not have come at a more critical time when morale has been low and the country faces a future of uncertainty. Many have made the trip to offer themselves as helpers in the cause. They have documented their experiences to share what they encountered and learned in the relief and rebuilding efforts. Each of the following individuals provides a unique voice, speaking alongside the people of Ayiti.

Our January edition: Now on newsstands across Greater Boston“Art is Haiti’s own ambassador – it can make its own path,” says Edwidge Danticat, who recently talked to the Reporter about her most recent works, Create Dangerously: The Immigrant Artist at Work and Haiti Noir. The former is a collection of essays compiled over the years and completed as part of Toni Morrison’s Society Lecture Series. Haiti Noir is an anthology of stories Danticat edited for the acclaimed Akashic Noir Series. This compilation of dark tales illuminates the complexities and nuances of Haiti and her people. The literary adventure opens with the eerily ominous Odette, a harrowing tale set during the earthquake, written by Boston-based poet Patrick Sylvain. BHR: When did you first start working on Create Dangerously? Edwidge Danticat: About two years ago I was invited to do the Toni Morrison Society lecture series. I was only the second invitee, Cornel West was the first – no pressure there. When you’re doing these types of things, it’s good to find something you’re passionate about. If you share your passion, then you can share something meaningful. So I picked “the immigrant artist” as my subject. And part of the series is to publish a book. I’ve been writing these essays for years, although some of them were new. BHR: In the middle of telling each story you stop to share your thoughts and insights. Is this part of your responsibility as an immigrant artist? ED: I was trying to interpret my own sense of it – the way I interpret my own path. It’s nearly impossible for me to come from the place I come from - to pretend that I’m just writing. It’s a lot. When you’re writing an essay you hope to interpret your own journey. Happily taking the responsibility and duty to share and tell personal, intimate stories. The artist’s responsibility is to try to represent as truthfully and as carefully what that individual knows (to be true).

“Art is Haiti’s own ambassador – it can make its own path,” says Edwidge Danticat, who recently talked to the Reporter about her most recent works, Create Dangerously: The Immigrant Artist at Work and Haiti Noir. The former is a collection of essays compiled over the years and completed as part of Toni Morrison’s Society Lecture Series. Haiti Noir is an anthology of stories Danticat edited for the acclaimed Akashic Noir Series. This compilation of dark tales illuminates the complexities and nuances of Haiti and her people.