“Images are not arguments, rarely even lead to proof, but the mind, craves them, and, of late more than ever, the keenest experiments find twenty images better than one, especially if contradictory; since the human mind has already learned to deal in contradictions.”
— Henry Adams, A Law of Acceleration

If there is one important historical figure from the early nineteenth century who has been consistently misrepresented through imagery, it would have to be Toussaint L’Ouverture. One would think that as a minimum, someone of his ilk and significance to Haitian history and the overall contribution to humanity’s fight for equality, freedom and dignity, a proper physical representation of his figure would be easily accessible. However, that has not been the case.

As we know, images are powerful tools. Unfortunately, they are often conjured and perpetuated by the victors of history, and are thus prone to reimaging and propaganda. Predictably, the essence of Toussaint over the years has suffered a vast distortion and vilification that has been seared into our minds as we remember him as a figure that was either homely and diminutive, or at times ostentatious and imposing – perhaps misrepresentative of his legacy.

In March of last year, after Haiti’s tragic earthquake, a friend of mine, researcher, Mario Valdes, whom I had the opportunity to work with at PBS Frontline, emailed me a photograph of what may be the only historically accurate painting of Toussaint, shattering any and all previous notions I held about his physical appearance and affect.